CK Contemporary

Minneapolis Institute of Art accepts two major Jack Wolfe paintings into permanent collection.

We are thrilled to announce the placement of two major works by Jack Wolfe in the permanent collection of the Minneapolis Institute of Art. Wolfe’s Crucifixion, 1957, is reminiscent of his painting held in the permanent collection of the Whitney Museum of American Art. The AIM portraits epitomize Wolfe’s lifelong advocacy and interest in Native American Communities and Indigenous Peoples.

Three AIM Members (Michelle Means, Dennis Banks, Russel Means), 1989

This monumental trio of portraits pays tribute to three members of the American Indian Movement (AIM), founded in Minneapolis in July 1968. Co-founders Dennis Banks (center) and Russell Means (right panel) are shown with Means’ daughter Michelle (left panel). AIM’s mission is to target the systemic racism that leads to housing, employment, income, and other inequities. Primarily formed in response to the historical (and ongoing) violence and discrimination against Indigenous communities and their lands, AIM was also intersectional and made alliances with other civil rights era organizations. Each panel features a portrait along with references to AIM actions or events. For instance, Russell Means’ sunglasses reveal a reflection showing casualties of the Wounded Knee massacre of 150 Oglala Sioux by the U.S. Calvary in 1890. Above the left panel we see The Wounded Knee Occupation of 1973, which was a battle of U.S. armed Federal forces against Native American activists. The background of the center panel depicts the disastrous strip-mining of Native American lands, emphasizing the exploitation and environmental degradation perpetrated by American companies such as the Peabody Mining Co. Wolfe integrates history and the present, connecting AIM’s present with the past and suggesting unfinished work for the future.

Crucifixion, 1957

Artists have interpreted the Christian theme of Jesus’ Crucifixion in innumerable ways since the second century, CE. The subject represents sacrifice and redemption in Christianity but the meaning and emphasis in images of the Crucifixion vary widely across time and place. Jack Wolfe, an artist working in th Boston area in the wake of the Second World War, produced a monumental image of violence and turmoil that echoed the experience of the war. Painting a balancing act between representation and abstract suggestion, Wolfe crafted the figures in his painting so they writhe and twist, while the environment around them is charged with the intensity of the central action.

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